Italian Byzantine Style Painter, ca.1290-1348
Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti.
His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena.
The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside.
The first evidence of the existence of the hourglass can be found in one of his paintings.
Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives. Related Paintings of Ambrogio Lorenzetti :. | den goda styrelsen | The Effects of Good Government in the city | Madonna | portrait of a child holding a rattle | Birth of the Virgin | Related Artists:
Samuel Dircksz van Hoogstraten1627-1678
Flemish Samuel Dircksz Van Hoogstraten Galleries
Clarkson Frederick StanfieldEnglish Painter, 1793-1867
He is often wrongly referred to as William Clarkson Stanfield. The son of Mary Hoad and James Field Stanfield, an Irish actor and author, he was apprenticed to a heraldic coach painter at the age of 12, but in 1808 he abandoned this and went to sea in a collier. In 1812 he was press-ganged and spent two years on HMS Namur, the guard-ship at Sheerness. After being discharged as the result of an injury in 1814, he joined the merchant navy, sailing to China in the Indiaman Warley in 1815. Soon after his return in 1816 he missed his ship and became a scene painter, first at the Royalty Theatre, Stepney, and then at the Royal Coburg, Lambeth. There he was later joined by David Roberts, who became a lifelong friend, and in 1822 both men were employed as scene painters at the Theatre Royal, Drury Lane. During the next 12 years Stanfield established himself as the most talented scene painter of his day, causing a sensation with some of his huge moving dioramas such as the scenes of Venice in the pantomine Harlequin and Little Thumb (1831). Meanwhile he was building an equally impressive reputation as an easel painter. He first exhibited at the Royal Academy in 1820 and continued to exhibit there regularly until his death. He was elected ARA in 1832 and RA in 1835.
Mashkov, IlyaRussian Painter, 1881-1944
was a Russian artist, one of the most significant and at the same time most characteristic painters of the circle of "Jack of Diamonds" He was born in the cossack village Mikhailovskaya-on-Don (near Volgograd) 29 July [O.S. 17 July] 1881 in a peasant family. After arriving at Moscow in 1900 he attended the Moscow School of Painting, Sculpture and Architecture, whose teachers included Konstantin Korovin and Valentin Serov. In 1909 he was expelled from the school because of his artistic free thinking. He traveled much as a student, visiting a number of the countries of West Europe, and also Turkey and Egypt. He was the member of associations "Mir iskusstva"